Screen《银幕》（季刊）. Screen is the leading international journal of academic film and television studies.

Positif《正片》（月刊）. 该刊是法国非常老牌的一本电影杂志。

CINEFORUM《电影论坛》（月刊）.

Cineaste《电影制作者》（季刊）. Cineaste (subtitled “America’s Leading Magazine on the Art and Politics of the Cinema”) is a quarterly publication, founded in 1967, which offers a social, political, and aesthetic perspective on the cinema.

Camera Obscura《暗箱》（一年3期）. Camera Obscura provides a forum for scholarship and debate on feminism, culture, and media studies. The journal encourages contributions in areas such as the conjunctions of gender, race, class, and sexuality with audiovisual culture; new histories and theories of film, television, video, and digital media; and politically engaged approaches to a range of media practices.

Film Quarterly《电影季刊》（季刊）. Film Quarterly has published substantial, peer-reviewed writing on cinema and media for nearly sixty years, earning a reputation as one of the most authoritative academic film journals in the United States, as well as an important English-language voice of cinema studies abroad.

Film Criticism《电影批评》（半年刊）. Film Criticism is a peer-reviewed, online publication whose aim is to bring together scholarship in the field of cinema and media studies in order to present the finest work in this area, foregrounding textual criticism as a primary value. Our readership is academic, although we strive to publish material that is both accessible to undergraduates and engaging to established scholars.

Film-Philosophy《电影哲学》（一年3期）. Film-Philosophy is dedicated to the engagement between film studies and philosophy, exploring the ways in which films develop and contribute to philosophical discussion. The journal also provides a forum for the thoughtful re-evaluation of key aspects of both film studies and philosophy as academic disciplines.

Media Psychology《媒介心理》（双月刊）. Media Psychology is an interdisciplinary journal devoted to publishing theoretically oriented, empirical research that is at the intersection of psychology and media/mediated communication. Research topics include media uses, processes, and effects. Reports of empirical research, theory papers, state-of-the-art reviews, replication studies and meta-analyses that provide a major synthesis of primary research findings in a pivotal area will be considered. We encourage preregistrations and welcome the inclusion of supplementary materials, such as stimuli, measures, preanalysis plans, deidentified data, and code as a part of new submissions (see Taylor & Francis’ Basic Data Sharing Policy). Manuscripts will be judged by the degree to which they contribute to theory and advance the body of knowledge about the psychology of uses, processes, or effects of the media.

Sight and Sound《视觉和声音》（月刊）.