Overland《大地》（季刊）. Overland – Australia’s only radical literary magazine – has been showcasing brilliant and progressive fiction, poetry, nonfiction and art since 1954. The magazine has published some of Australia’s most iconic writers, and continues to give space to underrepresented voices and brand-new literary talent every single day.

NOVYI MIR《新世界》（月刊）.

ESPRIT《精神》（月刊）。Revue mensuelle indépendante fondée en 1932 par Emmanuel Mounier, Esprit est une revue didées engagée dans son temps. Elle sefforce dillustrer une approche généraliste de notre présent, entre la culture médiatique et les études savantes. Généraliste et soucieuse de lintérêt général, elle se consacre à décrypter les évolutions de la politique, de la société et de culture, en France et dans le monde.

Meanjin《米安津》（季刊）. Meanjin is where Australia’s literary culture sets out its fiercest ambitions. Quarterly in print and continuously online, each year Meanjin publishes new work by hundreds of Australian writers in all genres and forms. A growing audience of print and online readers buy, subscribe to and collect Meanjin for its unique role in articulating the Australian cultural moment.

Massachusetts Review《马萨诸塞评论》（季刊）. The Massachusetts Review, a literary magazine, promotes social justice and equality, along with great art. Committed to aesthetic excellence as well as public engagement, MR publishes literature and art that provokes debate, inspires action, and expands our understanding of the world around us.

Literatur und Kritik《文学批评》（一年10期）. Die Zeitschrift „Literatur und Kritik“ wurde 1966 in Wien gegründet, hat ihren Redaktionssitz seit 1991 in Salzburg und erscheint fünf Mal im Jahr in einem Umfang von je 112 Seiten. Die Literatur, die wir meinen, kann realistisch oder surrealistisch anmuten, in Versen verfasst oder als Essay entworfen sein, eine Landschaft erkunden, die Geschichte verwerfen, die Liebe rühmen, die Provinz verdammen oder verklären, sie darf nur eines nicht: biedersinnig sein. Unter der Kritik wiederum, von der schon im Titel die Rede ist, verstehen wir nicht nur, aber auch Literatur-Kritik, darüber hinaus die Auseinandersetzung mit der Welt, wie sie ist, mit Europa, wie es werden könnte, mit der Gesellschaft, wie sie nicht unbedingt zu bleiben braucht.

Literary Imagination《文学想象》（一年3期）. Literary Imagination is a forum for all those interested in the distinctive nature, uses, and pleasures of literature, from ancient to modern, in all languages. Its aim is to encourage wide-ranging discussions between those committed to the reading and study of literary works, and to the reading and writing of poetry, fiction, translations, drama, non-fiction essays, criticism, and scholarship concerned with them. The Journal seeks to develop a healthy environment for academic literary study and for the literary culture that extends beyond the academy.

Liberté《自由》（季刊）. La revue Liberté se préoccupe de littérature, de théâtre, de cinéma, de philosophie, bref de tout ce qui relève de la réflexion et de la beauté, ce qui n’est en rien contradictoire avec le désir de s’arrimer au politique dans son sens le plus large. L’art est ainsi pour la revue une condition du politique; un lieu de parole plutôt qu’une spécialisation. Liberté se veut une véritable agora, en dehors de toute sphère d’influence, un lieu de débats aiguillonné par une urgence: la nécessité de faire acte de résistance tant au bavardage médiatique qu’au murmure marchand ambiant.

The Kenyon Review《凯尼恩评论》（双月刊）. Building on a tradition of excellence dating back to 1939, the Kenyon Review has evolved from a distinguished literary magazine to a pre-eminent arts organization. Today, KR is devoted to nurturing, publishing, and celebrating the best in contemporary writing. We’re expanding the community of diverse readers and writers, across the globe, at every stage of their lives.

The Dalhousie Review《达尔豪西评论》（一年3期）. The Dalhousie Review was founded in 1921 and has been in continuous operation ever since. During the early years it published scholarly essays by notable political thinkers, historians, literary scholars, poets and novelists. In the second half of the twentieth century TDR also began to publish short fiction and poetry, including the work of Norman Ward, George Woodcock, Mavor Moore, Owen Barfield, Miriam Waddington, Alden Nowlan, Malcolm Lowry, Chinua Achebe, Nadine Gordimer, Margaret Atwood and Guy Vanderhaeghe. TDR is thus one of the oldest and most prestigious literary journals in Atlantic Canada, and it has developed an international reputation for publishing consistently high-quality work by established and emerging writers in Canada and around the world.