DU《文化杂志》（一年9期）.

Aperture《光圈》（季刊）. four issues each year of Aperture magazine, the flagship of our commitment to the most inspiring photography and writing on photography. Apertures expanded Masters of Photography series is an engrossing introduction to the photographers whose work has affected the way we regard the world. Each volume begins with an essay by a leading critic or historian that offers an incisive look at the photographers career and importance in the history of photography. Each hardcover, clothbound volume in this slipcased set features approximately forty duotone images.

Afterall《最终》（半年刊）. Established in 1998, Afterall is a journal of contemporary art that provides in-depth analysis of art and its social, political, and philosophical contexts. Each issue provides the reader with well-researched contributions that discuss each artist’s work from different perspectives. Contextual essays and other texts discussing events, works, or exhibitions further develop the thematic focus of each issue.

GOYA《戈雅:艺术杂志》（季刊）. En el verano de 1954, la Fundación Lázaro Galdiano emprendía la publicación de GOYA. Revista de Arte, que constituyó un auténtico acontecimiento en el magro panorama cultural de la España de la época.

Leonardo《列奥纳多》（双月刊）. Leonardo is the leading international peer-reviewed journal on the use of contemporary science and technology in the arts and music and, increasingly, the application and influence of the arts and humanities on science and technology.

Third Text《第三文本》（双月刊）. Third Text has established itself as the leading international journal dedicated to the critical analysis of contemporary art in the global field. It has brought with that analysis a particular focus on both the impact of globalisation on cultural practices and the lessons of postcolonial theory. The journal has created a significant archive of critical knowledge to benefit artists, researchers and art historians. Third Text offers a platform to pursue timely dialogue about experimental cultures, to advance independent education, and to study the historical and current conditions of art’s practice, reception and distribution worldwide.

ARTMargins《艺术边界》（一年3期）. ARTMargins publishes scholarly articles and essays about contemporary art, media, architecture, and critical theory. ARTMargins studies art practices and visual culture in the emerging global margins, from North Africa and the Middle East to the Americas, Eastern and Western Europe, Asia and Australasia. The journal acts as a forum for scholars, theoreticians, and critics from a variety of disciplines who are interested in art and politics in transitional countries and regions; postsocialism and neo-liberalism; postmodernism and postcolonialism, and their critiques; and the problem of global art and global art history and its methodologies.

Art History《艺术史》（一年5期）. Art History is an international, refereed journal that promotes world-class art-historical scholarship from across the globe. It publishes essays and critical reviews that foreground methodological self-reflexivity and highlights specific areas of concern and interest to the field through its special issue programme. It represents the diversity of the discipline at large and welcomes submissions from both established and emerging scholars. Art History stands at the forefront of disciplinary challenges and is a model of excellence for original and innovative research.

Art Journal《艺术杂志》（季刊）. The mission of Art Journal, founded in 1941, is to provide a forum for scholarship and visual exploration in the visual arts; to be a unique voice in the field as a peer-reviewed, professionally mediated forum for the arts; to operate in the spaces between commercial publishing, academic presses, and artist presses; to be pedagogically useful by making links between theoretical issues and their use in teaching at the college and university levels; to explore relationships among diverse forms of art practice and production, as well as among art making, art history, visual studies, theory, and criticism; to give voice and publication opportunity to artists, art historians, and other writers in the arts; to be responsive to issues of the moment in the arts, both nationally and globally; to focus on topics related to twentieth- and twenty-first-century concerns; to promote dialogue and debate. The journal, which welcomes submissions from authors and artists worldwide and at every career stage, is published four times a year in spring, summer, autumn, and winter by the CAA.

American Art《美国艺术》（一年3期）. American Art publishes innovative peer-reviewed scholarship on the history of art and related visual culture. The journal critically engages with the material and conceptual conditions of art and provides a forum for the expanding field of American art history. It welcomes scholarship on the role played by art in the ongoing transnational and transcultural formation of America as a contested geography, identity, and idea. Committed to rigorous inquiry, the journal presents a range of approaches to the production and consumption of art.